Skip to main content
Back
Laura Kershaw at the International Women in Engineering Day 'Behind the Scenes' event, by She Can Engineer, in 2024

How an engineering apprenticeship furthered my film career

After working in set design and prop building on Mission Impossible: The Final Reckoning, Laura Kershaw opted to pursue an engineering apprenticeship to get a deeper understanding of how to bring abstract ideas into the real world.

It all began when I was 17, boarding a train to London with a big dream and permission to skip a day of school. I had never been on a film set before, but I was determined to find my place behind the scenes.

Breaking in wasn’t easy. I sent out countless emails and made calls to studios — most went unanswered, and many said no. But I kept going. I realised that sometimes it’s about being in the right place at the right time. That moment came at a film expo in London, where I managed to land my first gig as a stand-in on set.

From there, things snowballed. I got to work on major productions, including Mission Impossible, where I helped build massive sets including a life-sized submarine that could tilt up on its side. A typical day involved long hours, a lot of problem-solving, and collaborating with incredibly talented people. I even got to work closely with stars like Tom Cruise and Benedict Cumberbatch.

Left to right: Jennifer MacDonald; Katy Deacon; Nintse Dan-Thé; Simon Daniel; and Laura Kershaw at SheCanEngineer's 'Engineering – Behind the Scenes' event at BAFTA's London headquarters in 2024.

From movie-making to powertrain systems, and back again

For most of my life, I had never even heard the term engineering. At college, my world revolved around art and film — I spent my days creating short movies and sketching characters. I studied film and TV production alongside graphic design, earning A*s across the board. That creative passion eventually led me into the feature film industry, working with major studios like Disney, Netflix, Amazon Video, Marvel, and Paramount.

My journey into engineering happened organically. Set design led to prop building, prop building evolved into special effects, and special effects sparked a deep interest in engineering. I became fascinated by how ideas went from being designed digitally to being physically constructed in workshops. The more I saw, the more I wanted to learn.

So, I decided to step away from film for three years to pursue an engineering apprenticeship. During that time, I explored powertrain systems development from every angle — building engines, researching hydrogen fuel cells, and testing emissions systems.

After completing my apprenticeship with top marks, I returned to the film industry and am now working with Lucasfilm Ltd, the studio behind Star Wars. I design, build, and operate animatronic and robotic creatures on set. It’s a dream come true. Character design has always been a passion of mine, so combining art and engineering in this way feels like the perfect fit.

Looking ahead, I hope to keep pushing the boundaries of what’s possible on screen, bringing creatures and machines to life in new and exciting ways.

Creativity under pressure is valuable for both film and engineering

Film taught me how to think creatively under pressure and how to bring abstract ideas into the real world, skills that are just as valuable in engineering. Working in practical effects and set construction gave me hands-on experience in fabrication, materials, and mechanics. It also taught me the value of perseverance, adaptability, and teamwork.

Living with dyslexia has taught me a lot about how the brain adapts. I've learned how I work best and how to navigate challenges, and I encourage others to understand and embrace the way their own minds function.

 I’m proud that I’ve been able to combine everything I love into a single career — art, storytelling, engineering, and design. That, and being able to inspire others to follow unconventional paths.

If you’re curious about careers in engineering, my advice would be: don’t be afraid to think differently. You don’t have to fit a certain mold to be an engineer. In fact, your unique perspective is often your greatest strength. For me, being highly visual and creative — qualities that some might not associate with engineering — have opened up incredible opportunities. Embrace who you are, and find the path that works for you.

Get a free monthly dose of engineering innovation in your inbox

Subscribe